If you count swinging Saul Bellow as a Canadian, Montreal-born, and also class Vladimir Nabokov as a transnational, all-transcending anomaly, then Updike is, line for line, without peer, the finest American prose stylist of the postwar era: meticulous, crystalline, and luminously hyperrealist, his opulent language hanging on austere forms.
The best of Updike, the worst of Updike. – By Troy Patterson – Slate Magazine
If you count swinging Saul Bellow as a Canadian, Montreal-born, and also class Vladimir Nabokov as a transnational, all-transcending anomaly, then Updike is, line for line, without peer, the finest American prose stylist of the postwar era: meticulous, crystalline, and luminously hyperrealist, his opulent language hanging on austere forms.
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